Saturday, May 03, 2014

You Can Give A Kid A Diverse Book But You Can't Make Him Read It...



This weekend, everyone is  "twitterpated" on a viral campaign for #WENEEDDIVERSEBOOKS. It has been an on going discussion in Children's Publishing for some time now, but the issue is definitely "trending" due to the announced panel  of the Children's Book "Rock Star" authors  at BookCon this year will all  be white and male,  read about that HERE...
Yes! We need diverse books, but we also need children to be literate enough to read them!
I have taught Art, Reading and Writing Enrichment programs to  Native American and Hispanic kids for over a decade, I'm also a freelance writer and illustrator and it baffles me that this industry does not talk more about literacy then it does. Giving a kid who can't read or reads way below their grade level a book, does not teach him or her to read, it just frustrates them, forget about expanding their world!
Years ago,  an illustrator friend of mine and her publisher very generously donated a huge stack of  her new book to my kindergarten and first graders. The kids were hugging their books as they left to go home. A next day survey revealed that none of the parents had taken the time to sit down to read the book with them. One parent sending her daughter to tears for badgering her. Knowing the parent, I had to wonder if the refusal came from her own poor reading ability.


Why aren't we talking about this side of problem?

I teach at a charter school in the middle of nowhere, near the Four Corners of Colorado, New Mexico, Arizona and Utah, across the County Road is the Ute Mountain Indian Reservation. Down the road, is the start of the Navajo Reservation. Some years over half of our students are Navajo. The schools on the "Rez" so bad, their parents drive them forty five minutes to the nearest bus stop to get to our school, which is not great in comparison to the schools in the nearest town, thirty minutes the other direction and in comparison to the school my children go to in our district still another twenty minutes away,  it is down right bad.
Two years ago, word got out we were bringing a modular in to have a library. Reading the article in the local paper, people in the community assumed that meant we did not have books and started donating them. We had books, lots of books, the kids just didn't read them, unless forced too.
It is also a misnomer that these families are too poor to buy books. They aren't. This families might live in shacks and run down trailers, but they have enough money to buy cheap laptops, tablets and video games from Walmart and when it is free time at school, that is what they reach for, not books.
How do you get a kid to read a book? Yes, having characters and stories they can identify with is important. But not struggling over every word is more important.
How do you get reading to come easy? Well, you send home plastic baggies with little books, to practice every night with a reading  log. What do white, educated, middle class parents do? Sit down with their kids and read every night. What do Migrant families do? Make darn sure their kids are learning to read, write and speak English and do their homework, even if they can not understand it themselves.
Sadly, that does not happen in the families who have been in poverty and illiteracy for generations, whatever their skin color. Lack of education drowns  trailer trash white children as well as minorities.


What can we do about it?
If parents are not or can not help their kids practice reading at home, then the schools have to do it and one or two teachers can not practice with twenty some children everyday, so it is up to local volunteers to come into the schools. Who would that be?
Well, I go to the mid day yoga class and it is full of retirees, bored retirees who take yoga everyday and then go work at the Humane Society catching feral cats in town. Nothing against cats, but if those ladies would donate an hour or two of their time a week and read with kids that would make a world of difference and yes I have encouraged them to do so.
What can the Children's Book industry do? Stop thinking the solution is to give kids a book!
The ski industry of Colorado could teach us a few things. Telluride is over the mountain from where my own kids go to school and like most schools near a ski resort, we have a ski program. From a very young age and for a very small fee, the Telluride Ski Resort gladly buses our kids up the mountain a half a dozen time a season, provides equipment and lessons to .........Teach Our Kids To Ski!
Why do they do that? Well, because  full day lift tickets are around $80 dollars and season passes can be upwards of $1000. They are trying to get kids addicted to skiing and build the next generation of people who will keep them in business!

We need to get kids, all kids, addicted to reading and then we would not be having the discussion we are because Publishing is a business, it is not a charity and when publishers take a chance and publish a book for minorities and no one reads it, they have to look at the bottom line.
What else can be done? Send authors and illustrators into low income schools. But who is going to pay for that?  Right now, often a published children's author or illustrator gets a large percent of their income from school visits. What schools can afford to pay $1000s of dollars for fees and travel expenses in this day and age? The well off one, which by the way, those school's  parents ARE making sure their kids read those little baggies of take home books and ARE taking their kids out to see the world and into bookstores. Hum?
Besides the epidemic of illiteracy is not going to be fixed by one time school visits and  the kids in these schools are too uninformed to know to be impressed by a Newberry or Caldecott winner.
Actually, because Art so much better bridges gaps between cultures, we should be sending illustrators out first! Brooklyn Illustrator Sophie Blackall proved that, taking paper and markers to children in Rwanda, scarred with years of brutality...

read about it HERE


I've been part of that magic, with Native American kids, time and time again. Without a word, we start drawing together and their world opens up and mine too!
If each of us connected to the Children's Book Industry, made the commitment to adopt our very own classroom, locally or through technology like Skype, and had an ongoing relationship with those 20 kids for the school year, it would make a world of difference.
Say, once a month, a one hour Skype visit. Sending out writing challenges to the class connected to what we write and then giving them individual feed back and praise for their work. Heck, you could even have the same book and help kids learn to read over Skype. Join in with the classrooms book club discussion. The ideas are endless and no longer is distance or time an excuse.


Or....is pushing publishers to produce Diverse books really only for those kids who can already read? Which according to several studies, collected HERE , is a shockingly low number of the US population. The US Adult Literacy rate is around 75%-90% , whether that is just addressing the ability to read labels on medicine bottles, for work, daily living, etc. Those who can read, read, the average for adults is around a 7th or 8th grade level.  15% of us are at the reading level of those in an undergraduate program and well, that would be Us- those in this industry and our children, my argument is what about the other 85%? Pleasure reading is a self motivating activity, surely we all remember that from days when we had to read something we did not want to. You can give a kid a Diverse Book, but you can't make him read it.
Which brings up my last point and I have debated including it, but here goes. Piggybacking more liberal idea like sexual orientation into the discussion is a mistake. The lack of representation in publishing of books by and about people of races other than White European is a huge problem and yes, too few of these are being made, but reading up on industry news, books about gender identity and sexual orientation have greatly increased over the past couple of years. That is all I am going to say about that, but let me illustrate my point with my own experience.
The Four Corner is Conservative in their politics to say the least and the Art Teacher before me, was fired because a parent walked in to see this...

Botticelli's Venus

Not that she was showing it  to the children, but it was the cover of one of her reference books, in her bag, behind the teacher's desk. They fired her. Well, she was also teaching the children to love and protect predators in cattle country....most of the children's families were ranchers.
When I got the job, I had a choice to make. Push my agenda on these kids, or teach them up to be educated people to make their own decisions about well nudity in art, environmental issues, etc. I have lasted at that school for over ten years, because I leave my personal political and social slantings at the door and work to give them the tools to form their own. 
We, as a nation, have a lot to answer for before bringing Native Americans or any other minority in line with our agendas. My bet is they are more concerned about saving and preserving their own cultures, literally what is left of them. We can help them by giving them the tools- literacy, education, a way out of poverty before we start trying to bring them in line with our own way of thinking.
















Monday, April 21, 2014

Here Come the Illustrators...



Oh My!! Life has been crazy, but finally got a chance to look at the line up for this year's Society of Children's Book Writers and Illustrators conference....Wow~! Here is INFO from their site, but wow~did I say that?! The faculty includes very knowledgeable writers, illustrators, editors, publishers, a huge amount  of African American , Hispanic American and Asian Americans  this year- kudos! But, no Native Americans that I can see either writers or illustrators, but I am not going to go off on that, because I'm impressed in what SCBWI did accomplish. 
And the illustrators, well start off with Tomie dePaola...



who I always thought  was part Hispanic for the books he has illustrated for the last forty years or so, but, nope, he is Irish/Italian, just loves to study and bring forth other cultures. 
The Saturday Gala is celebrating his 80th birthday. I've been going to the summer SCBWI conference for seven years and this is the first time he will be there. 
Next up is Aaron Becker...


One of this years Caldecott 2014  Honors for his wordless picture book JOURNEY.

SCBWI did "pretty good" this year on the women illustrators I have to say, some years it' an all male review, out of editorial or fine art background for speakers,but.....well, again, I am not going to rant, because this year's line up looks great since a female, cat loving illustrator, Judy Schachner...


 is giving one of the keynote talks and a workshop on animal characters, which I am not good at, can illustrate them in their natural habit but not so well in overalls!

What is really exciting on the illustrator front is Monday's intensive, which started about 3-4 years ago and to be honest, the illustrator side did not sound very appealing to me, the first few years more on watching the "big namers" demo their process. Now don't get me wrong, that would be unbelievable fasninating to watch someone paint, I could do that for days, but don't know how helpful that would be be to me, a collage artist in furthering  my career.

But this year, it is all about  inspiration from the Masters, something every artist no matter what the medium we use or how experience we are can benefit from.  There is a option to send in an illustration inspired by a master.....hum, do I want the likes of dePaola or a 2014 Caldecott Honor commenting on my art, have not decided that and while the SCBWI assignment is probably for younger children's illustrations for picturebooks, I already am working on an illustration as a promo for book covers that is much inspired by Wood's American Gothic...

and the works of photographers during the Great Depression that I have been pouring over as of late, these are gorgeous....


I'll show you when I get done and we shall see if I do one for a younger audience for the SCBWI Intensive. But as an art teacher, I love studying the Master and am excited about this years line up of Illustrators for the LA conference, plus the whole conference  is a really great "mom" escape at the poolside bar with a mojito or two, since I just have to find my room, no driving involved.


Monday, March 17, 2014

My time in Moab...


(click on picture to enlarge)

We were up in Moab, Utah this past weekend, most doing this...


I did a little bit of hiking, but with others to entertain my "mountain goat" family, I took the opportunity to get some serious sketching in...

(click picture to enlarge)

This, about half way up the trail to the Corona Arch, which I had sketched before... 


It was a real fun weekend, with old friends from college, their and our kids, not that much younger then when we first became friends, in the Campus Crusade group. Now we are the old ones and our kids are in college and getting married, yikes, but time doesn't stand still, though one old friend we haven't seen in over a decade, told our daughters we hadn't changed at all, while we were arguing about how to cook dinner in the campfire.
Of course we ended the weekend, grabbing really good food at Milt's, the parking lot full of like minded adventures- mountain bikes and Tulle carriers on top of SUVs and those waiting in line looking a little bit wind swept...

(click on picture to enlarge)

Tuesday, March 11, 2014

Adding to my Bug Collection....in the March SPIDER MAGAZINE...


Have I told you I am bad at this self promotion thing? Well, it is almost the middle of March and I totally forgot to post that my above illustration is in the March issue of SPIDER MAGAZINE...


This is my third illustrations for the "Bug" magazines, but all with the wonderful Art Director Suzanne Beck. This project was to illustrate a recipe, a Welsh scone recipe and I had a lot of fun researching all things Welsh, like their amazing textile patterns...

 And their Gaudy pottery...
I'm not insulting the Welsh, it actually is called that.

I really wanted to find a way to get these gals, with their traditional top hats above lacy bonnets in, wondering...

how did that tradition evolve exactly?

Then it was a weekend of sketching...


and brainstorming on paper, moving things around in Photoshop and sending ideas to New York on a Sunday, when apparently me, in the Four Corners, Sue and her editor had nothing better to do then to email back and forth. Have I said how much I love the internet and what it does for me! 

 Really loved that pottery, though the poem is about having a picnic...


Oh, how many antique lunch boxes did I pin on pinterest.com?


Kept trying to get a spider, a bug or a mushroom in there, just wasn't working. Then Sue pulled me from my fixations and suggested the rainbow and the jam. Uhhh, don't even want to think how long it would have been before I thought of jam, my brain was still on getting old women with top hats in...

When everyone was happy with the sketch, I went to appliqueing and stitching and ta.....da....


The Guady pottey had to go, but I kept the Gaudy pattern for the tea towel in the pail. The design on the picnic cloth is from the textile above and was X stitched on actual X stitched fabric, though I did four X's per square. The jar was done with a sheer tulle type fabric and the jam on the scones are french knots. 
It was another fun and challenging project, did something better this time and of course still could point out things I will do differently next time. Let's see, I've collected a BABYBUG, a  LADYBUG and a SPIDER. But still need a CRICKET. 

Monday, March 03, 2014

Stitch Therapy....


I stitched this weekend, well yesterday, on my bed, all afternoon long. I needed it. Since the beginning of the year, and since cutting back on teaching, I have been trying to adhere to a schedule, to treat my illustrating and writing like a real job. Monday, Tuesday and Fridays...writing all morning, do art in afternoon. Wednesdays....write social media-blogs and twitter and go to yoga. Afternoon....teach Art to kiddos. Thursday mornings...I cook for a soup kitchen and afternoon.....do art, take a nap.
I read others blogs and interact with Twitter in the morning. Problem is I get up 5 o'clock mountain time and the only illustrators up at that time are in the UK. But wow, have I found some wonderful artist and illustrators over there and have really enjoyed following them.
 I made a pact with myself not to work on my manuscript on the weekends, but to work on blog post, peruse Twitter and do art. Saturday, I didn't listen to myself.
Spent most of the day, here, in my office, the kitchen table and outlined a prequel to my work in progress that is in revisions. The idea sparked by my work on Friday basically building a family tree for the characters, to keep track of all their names. But in the process, a story started to come out and excited, I devoted my Saturday to getting it down.
I should have stuck to my pact because now everything is off kilter and  am writing this in the am on Monday and should be starting to work on my manuscript.
But stitching yesterday helped get things back in line. Too much grandiose thoughts can come when you are creating a world that does not exist and the brain hurts too much. I have to actively push words out of myself and onto the paper, with many fits and starts.
On the other hand, when all the design decisions are made, stitching is effortless, feeling the drag of the thread through the fabric I also can feel the release my tension with it and a balance to world. I stitch on my bed, while listening to a movie or the whole season of a television show I have seen before, so I don't have to look up at the screen so much to know what is going on.
One series I love and should  buy to watch when it  is no longer airing is PBS's CRAFTS IN AMERICA...

I could go on and on how wonderful this series is. I won't know, cause I am thirteen minutes late for work, which working on that manuscript is, but I will leave you with the words for the title song, an old Shaker hymn that I want sung at my funeral, I love it so much, to see the YouTube video go HERE...
"Simple Gifts" written by Elder Joseph
(From Wikipedia page... "while he was at the Shaker community in Alfred, Maine in 1848)

'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gained,
To bow and to bend we shan't be ashamed,
To turn, turn will be our delight,
Till by turning, turning we come 'round right

from the Enfield Historical Society Webpage

Sunday, February 16, 2014

Belated Valentines...


Meant to post this on Friday. But, alas, it did not happen. Could have been that I was finishing up mailing 200 Valentines postcards out to Art Directors, or that I was hanging my charter school's art show at our local Art Center or that I had whooping cough and a fever, probably thanks to the little darlings. But I did save back a couple dozen of the valentine postcards to give to them, complete with a Kit Kat bar taped to it.
As they filed out of the art room, after their tables were clean on Wednesday, I "mom-ed" them and told them it was polite to appreciate the card and sentiment, before ripping off the candy.

But a late Happy Valentine's Day to you...

I shouldn't admit to this, but I will, cause well, that is what I do. The illustration is heavily Photoshopped because of changing my mind midway and well, not seeing some errors early enough.


I started on my 2014 Christmas card early in January, cause well, I have a hard time getting it done. This...


was actually my 2012 Christmas postcard, which just didn't happen and having the illustration from a year ago I still barely got out my 2013 postcard, which I sent out to 400 art directors at book publishers, magazines and ad agencies.
Promo is something that really slid when I was teaching three days, so now that is down to one and I'm in my studio four days, really trying hard to do it.
Where was I?
Oh, yes, so I started a very early attempt, still somewhat in the Christmas spirit of getting an image ready for next year, Card companies actually have a year lead time for Christmas illustrations. So started on collaging the illustrations, using a dark blue for the night sky, stitching the window, etc. Then...
I realized I am an illustrator not a fine artist and why was I illustrating pomegranates? And, Valentines was coming up and in my 400 postcards from Christmas, I had concentrated more on general markets and there was still many from the 2014  Children's Writers and Illustrators Market book, I had not sent a postcard to, so.....switched gears, kept the window, the snow scene outside, the cat, changed the holiday to Valentines and stuck a kid in it!
But I think moving on to make the collage, after all the planning is done, the fabric chosen, is kind of like finally getting in your car and heading out for a long road trip. It is when your mind relaxes and boom, you realize you forgot to turn off the iron or forgot your children, etc.
I was almost done when I realized there were some color problems. Here is the untouched original...


I'm sure many of you are thinking, "its wonderful," cause my readers are such nice people, but if you "squint" at it, you will have to admit that the girls overalls, her shirt And the chair behind her are ALL the same value!! The glue bottle is the same value as the table cloth and the scissor handle and her hand are the same value!! 
The same value as in squinting you can not differentiate between the two colors.
Plus on the other end, the night sky is so dark and the snow on the mountains is so white, well in digitizing that extreme in color value it gets..."whonky" and that is a technical term for " unsteady, shaky,awry or wrong"
Arghh...not like I went to Art School or anything!
But almost done and well, having as of late ripped apart too many illustration, I decided to use it as a practice in correcting in Photoshop, so finished the illustration and digitally did this...


The chair, shirt and overalls are still on the dark side, but they have contrast, as does the glue bottle and the green of the scissors handle, stands out from her hand. I did lighten the sky a little but too much messing can really effect the digital file, there is only so much you can do in Photoshop, well I can do in Photoshop.
I also realized too many of my illustrations are more of a landscape view and really need to more close up work, of faces and detail, so on the back of the postcard included him...


And am now, working on a whole gob of spot illustrations, which was hard to get started, but picked the Beach as a theme, cause it is February and the Blahhhhhs are setting in and my thought went here...



I'm collaging away at them and will post as I get them done. Kind of fun to have pretty much a one day project and am using a lot of my scrap fabric.
I have to give credit where it is due and a thank you to...


I just "snipped" his twitter header @pinocastellano  because his name is too hard to spell. It took me three days to pronounce it correctly at the Society of Children's Book Writers and Illustrators conference this summer in LA, where he gave several great workshops, real nuts and bolts stuff like...
1. Be on Twitter...check, you can find me at @moonflowermuse
2. Show process, sketches, line drawing....check
3. Throw out your neon colors......I'm trying!!
4. limit orange.....can't remember if he said it or someone else taking the workshop said it, but orange can get "whonky" in CMYK- what most books and magazine publishers are printing in, cause it is cheaper then what a fine art printer would use.
5. and no job is too little....which I totally agree with and would so love to get a bunch of little jobs!

Thus working on the spots and then am going to try and get some work in my portfolio for the educational market, as in "See Spot Run" sort of thing.

So get on twitter and let me know so I can follow you and follow Giuseppe for some good advice, he even does portfolio reviews on occasion.

Friday, February 07, 2014

IF: Prehistoric


According to my husband , the Great Salt Lake and the Salt Flats around it,  is all that remains of a greater prehistoric fresh water lake called Bonneville that mostly evporated away. If you have been there, you know what I am talking about if not, read HERE...
I so have to put new art work up on my website, I have it, just needed to block out the week to updates things!