Often people ask about the process of doing fabric collage and often while I'm doing it the idea to take pictures of the process does not occur to me, well this time I am trying.
With a summer of traveling and adventure, followed by a few quiet weeks at home, the "whales are starting to be full" ( read THIS for an explanation) I am diving back into revamping my portfolio.
So like all illustrations, it starts with some research, these days on the web, instead of a bunch of dusty files...
I'm sucker for the big white bows and needlework on little girl's dresses from the Victorian era, so that was easy enough. As was finding pictures of country cottages...
I had to resign myself to zooming in far enough to get the details of Goldilocks and the Three Bears loosing most of the cottage's detail. But alas what did my instructors in Art school always ask, "What is the focal point, what is the picture about," well it is about Bears and Goldilocks!
Still needed some bears, so thought "dancing bears" would be a good thing to Google. Not! So many sad pictures of old, tired bears in places like the Far East and Russia that are still being forced to preform in the streets, their masters put a cable around their heads and through their noses, and out a slit on their face!!
But enough about the harsh realities of what is real verses what is make believe. Let see, have I ever illustrated an anthropomorphic illustration, or one that has animals with human traits? I don't think so.
Step one after the sketch is to do a line drawing of the illustration on see through tracing paper...
Then the middle ground and foreground is laid down, and the stitching begins...
Part Two is coming, I promise....probably....if I remember!
Lovely to see how you do your collages.
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